{"id":13971,"date":"2018-01-31T20:42:57","date_gmt":"2018-01-31T19:42:57","guid":{"rendered":"https:\/\/www.sushiya.de\/?page_id=13971"},"modified":"2024-03-16T15:23:53","modified_gmt":"2024-03-16T14:23:53","slug":"sansaro-artbox","status":"publish","type":"page","link":"https:\/\/www.sushiya.de\/en\/sushiya\/sansaro-artbox\/","title":{"rendered":"Sansaro art box"},"content":{"rendered":"
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Sansaro art box<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The sansaro Artbox is a changing exhibition space in the middle of the Amalienpassage. Against the backdrop of the Japanese restaurant sansaro, works by young artists are shown. The sansaro Artbox is a changing exhibition space in the middle of the Amalienpassage. Against the backdrop of the Japanese restaurant sansaro works of young artists are shown.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCLICK HERE FOR THE NEW HOMEPAGE OF SANSARO ARTBOX<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Past exhibitions<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tJochen Dreckmann | \"Mittelpunkte\", September 2018\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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When trees fall, they are not dead. They just start their second secret life as wood. They take their memories and their character with them. You can feel this when<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tAyaka Terajima| \"The Little Blue Garden\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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The series \"The vase got a flower.\" used in the installation is a sculpture project in which I combine prefabricated porcelain, which was previously in someone's possession, with my own forms.<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tYukari Miyashita | \"Kimono - view on the nature\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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As an artist and florist, Yukari Miyashita likes to work with natural materials, reducing herself to the essentials. Her floral works of art are often naturally transient, which is why you should take a closer look at them.<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tWolfgang Steck | \"Blowing in the wind\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\"Wolfgang Steck's godfather gave him an unusual perspective on the world at a young age in a kind of key experience when he advised him not to sit on a park bench,<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tAnja Columbres | \"Head in the clouds\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Anja Columbres' works are visual poems that send the viewer on a surreal journey between reality and the world of dreams. Flora & fauna, human anatomy and cloud worlds intermingle like<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tStephanie Syring | \"Come closer!\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Whether nature scenes or abstract compositions, Stephanie Syring's works catch the eye with their variety of ligree, sometimes transparent-looking structures. She experiments with different artistic techniques to achieve this. The<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tGregory Infinity \"Circle Soleil\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Gregory Infinity's works are abstract and organic, exciting and opening at the same time. He attended the master school for church painting in Munich, the only one of its kind in the world. Received<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tViola Jasmine Provost \"Nature of Colours\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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The idea of playing with the nature of colors, trying them out, testing their range is inspiring. At the same time, art reflects the colors of nature, its infinite wealth of nuances, contrasts and plays of light.<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tEugenia Piacentini \"Involution\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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From the first steps of mankind to existential questions - deep beneath our roots and mental patterns lies the feeling of being part of a greater whole.<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\trosaLee \"Apophenic Painting\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Apophenic painting makes use of optical pareidolia. It describes the shape-seeing in structures and objects. rosaLee uses experimental techniques and different materials to obtain random structures in which she can see the<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tChristian Br\u00e4uer \"this is not. Goe the\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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We have life in the colored sheen. The paint seals the fruit airtight. The organic surface disappears beneath the inorganic one, thus protected from decay but unable to continue breathing. Christian<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tHelga Kallweit \"Sand Worlds\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\"The painting is a bridge that connects the spirit of the painter with that of the viewer.\" Eug\u00e8ne Lacroix Helga Kallweit's paintings are always reminiscent of real objects, but nevertheless<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tami naito \"51.600mm paper wave\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Origami is one of the unique Japanese arts. There are almost infinite possibilities of paper folding. In this installation, it is expressed with Miurafach. Tertiary surfaces are possible and are created with paper<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tFabian Bross \"Prometheus in the Tram\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Fabian Bross is a linguist and freelance artist. He is co-founder of the literary magazine \"Das Prinzip der sparsamsten Erkl\u00e4rung\" and the exhibition space \"Linoleum-Club\" in Munich-Neuhausen. The S\u00fcddeutsche Zeitung (31.12.2013) counts him among<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tdomino pyttel - matthias trager \"allotment\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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I look at the beautiful plant in waiting, it is fenced in with purple-black thorns, in it rise calyxes with spotted spurs and velvet-feathered, inclined ferns and tufts of flakes, water-green and round. [from<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tFabian Ketisch|Michael Mieskes \"Kurt, Friedrich and Gabi\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\"And what would become of the emptiness of space? Often enough it only appears as a lack. Emptiness is then seen as the lack of a filling of hollow and intermediate spaces.\" Martin<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tJulius Paul Ehrhart \"in the greenhouse\" with pictures and windows (and a watering can)\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\"I get fei bluntly and put on it white one of the lonely seeds, of which I don't know what wants to come out and where. Wherever I want to go, I take maps<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\"Japanese<\/div>\n\t\t<\/a>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tLuise Aedtner \"Finding the familiar in the foreign\".\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\"This work is a photographic search for clues that I set out on in a culture that was completely foreign to me. Through my photographic exploration of Japan, I show how a cultural divide<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tRead more \"\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Sansaro Artbox Die sansaro Artbox ist ein wechselnder Ausstellungsraum in der Mitte der Amalienpassage. Vor der Kulisse des japanischen Restaurants sansaro werden Arbeiten junger K\u00fcnstler gezeigt. Die sansaro Artbox ist ein wechselnder Ausstellungsraum in der Mitte der Amalienpassage. Vor der Kulisse des japanischen Restaurants sansaro werden Arbeiten junger K\u00fcnstler gezeigt. HIER GEHT ES ZUR NEUEN […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":13125,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-13971","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/pages\/13971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/comments?post=13971"}],"version-history":[{"count":110,"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/pages\/13971\/revisions"}],"predecessor-version":[{"id":60558,"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/pages\/13971\/revisions\/60558"}],"up":[{"embeddable":true,"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/pages\/13125"}],"wp:attachment":[{"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/media?parent=13971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/categories?post=13971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sushiya.de\/en\/wp-json\/wp\/v2\/tags?post=13971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}